![]() ![]() ![]() Further spurred by Elvis Presley, sideburns were sported by "hoods", "greasers", and "rockers" seeking to highlight their rebellious post-pubescent manliness. Sideburns made a comeback in the mid-1950s when Marlon Brando sported them as the title character in The Wild One (1953). In 1936, President Franklin Roosevelt briefly experimented with sideburns on a yachting cruise, provoking laughter from wife Eleanor. In World War I, in order to secure a seal on a gas mask, men had to be clean-shaven this did not affect mustaches. As with beards, sideburns went quickly out of fashion in the early twentieth century. In period literature, "side whiskers" usually refers to this style, in which the whiskers hang well below the jaw line. Nineteenth-century sideburns were often far more extravagant than those seen today, similar to what are now called mutton chops, but considerably more extreme. Many of the independence heroes of South America, including José de San Martín, Manuel Belgrano, Antonio José de Sucre, Bernardo O'Higgins, José Miguel Carrera, and Antonio Nariño had sideburns and are as such depicted on numerous paintings, coins and banknotes. History įollowing the fashion in Europe young South American criollos adopted sideburns. Indigenous men of Colombia and Mexico, including Aztecs, shaved their heads and wore their braided sideburns long, said to be wearing "balcarrotas", rarely seen in modern times, but prized in the 16th century as a mark of virile vanity and banned by the colonial authorities in New Spain, resulting in rioting in 1692. Sideburns can be worn and grown in combination with other styles of facial hair, such as the moustache or goatee, but once they extend from ear to ear via the chin they cease to be sideburns and become a beard, chinstrap beard, or chin curtain.
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